Review: What the Women Did, Southwark Playhouse
What the Women Did opens charmingly, nostalgically, with the cast grouped around the piano singing classic great wartime songs together. It sets the tone ad...
Jessica Edwards
Review: Children of Fate, The Bussey Building
Children of Fate opens with a sense of anticipation. A man huddled next to the remains of a fire in an oil drum, while a body stirs and whimpers under a pile of...
Review: The Engineer’s Thumb
Dotted Line Theatre's The Engineer's Thumb appears as part of the Firsts Festival, a season of puppetry premiers by emerging companies. It is produced by, and t...
Review: The Rime of the Ancient Mariner
Fiona Shaw performing The Rime of the Ancient Mariner: arguably, two national treasures sharing the stage at the Old Vic Tunnels. Having seen Shaw’s delicious...
Review: Everyday Maps for Everyday Use
Everyday Maps for Everyday Use contains moments of brilliance. As part of the Papatango New Writing Festival, inevitably the writing is offered up for scrutin...
Review: Cul-De-Sac
Cul-De-Sac, the first play from stand-up comic Matthew Osborn is not the sort of show you’d usually expect to see at Theatre503. Plumbing the darker depths of s...
