Review: Stepmothers/Stepfathers, The Place
Arthur Pita, creator of the awarding-winning 2011 adaptation of The Metamorphosis, is back with another stomach-churning production. His new piece, Stepmothers/...
Jessica Handscomb
Review: Decibels, Lion and Unicorn Theatre
With absolutely no set, a solitary prop being a mug of tea, and on the dark stage of the Lion and Unicorn Theatre, Stephanie (Elaine Fellows) takes us on a jour...
Review: Living a Little, VAULT Festival
If the world as we know it were to end tomorrow, what would you do? Would you smartly ration and scrape by, rarely washing in tattered clothes? Or, given the op...
Review: The Pitchfork Disney, Shoreditch Town Hall
Deep in the bowels of Shoreditch Town Hall, Jamie Lloyd's production of Philip Ridley's first ever play, The Pitchfork Disney, is staged. In the long, dimly lit...
Review: Crocodile, VAULT Festival
Vault Festival, sometimes described as London's answer to the Edinburgh Fringe, is once again upon us. Amongst a wide variety of shows being presented is Crocod...
Review: Dirty Great Love Story, Arts Theatre
In most brilliant 'will they, won't they?' stories, we kind of know that they will. But that doesn't in any way soothe the special kind of aching frustration th...
Jessica Handscomb
Sub Editor
Born and raised in North London, Jessica studied for a BA in English at Goldsmiths. When she’s not at the theatre, she’s either talking to her plants or wasting her finite hours on earth re-reading the same few Wendy Cope poems.