Edinburgh Fringe Review: Motherland
(3/5 Stars) A pristine white floor and wall mark the start of Vincent Dance Theatre's Motherland at the Edinburgh Fringe. This white expanse is covered in d...
Jake Orr
Edinburgh International Festival Review: Embers
A beach. A skull. A voice. Pan Pan Theatre's take on Samuel Beckett's 1959 radio play Embers is no easy experience. The piece focuses on Henry (Andrew Bennett...
Edinburgh International Festival Review: Eh Joe
Lasting 30 minutes and with not a single word uttered from leading man Michael Gambon, you'd think that you were being taken for a ride with Samuel Beckett's ...
Edinburgh Fringe Review: La Donne è Mobile
(4/5 Stars) A creature resembling a woman is wrapped in plastic sheets, her eyes are ablaze with the sort of curiosity you see from a cat, but there's a dar...
Edinburgh Fringe Review: For Their Own Good
(3/5 Stars) Untied Artists's For Their Own Good looks at our relationship with death. Not the happiest of topics, but having won a Fringe First at this year...
Edinburgh Fringe Review: The Way You Tell Them
(3/5 Stars) Jokes are funny, are they not? That's the purpose of them, to make the receiver of the joke to laugh, which will make them release endorfins, ma...
