Review: The Game’s Afoot, Madame Tussauds
"The Game’s Afoot!" shouts a police detective, in Sherlock Holmes-esque fashion. Armed with a pen, a map and an initial clue, we separate ourselves from the oth...
Holly O'Mahony
Review: Late Night, Barbican Centre
"History is freedom, history is imprisonment," says one character in Blitz Theatre Group and Nikos Flessas's surreal play Late Night, which excavates longings b...
Review: Midsummer Madness, Rosemary Branch Theatre
Shook Up Shakespeare’s Midsummer Madness brings something a little bit different to this year's commemorations marking 400 years since Shakespeare's death. With...
Review: The Deep Blue Sea, National Theatre
The Deep Blue Sea was first performed in 1952, a few years after it was written by the already successful playwright Terence Rattigan. Based largely on Rattigan...
Review: Love, Bombs and Apples, Arcola Theatre
Sexual fantasies, fictional bombs and racial hatred are just some of the themes explored in Love, Bombs & Apples. Written by Hassan Abdulrazzak and directed...
Review: Sideways: The Play, St James Theatre
Sideways: The Play enjoyed a sell-out stint at La Jolla Playhouse in California, and now this Pinot Noir praising, Merlot pounding comedy has arrived in London....
Holly O'Mahony
Holly works in marketing for the Guardian and holds a degree in English Literature from the University of East Anglia. She combines her love of theatre and writing through her role as a reviewer for A Younger Theatre.