Review: Scherzo for Piano and Stick, Coronet Print Room
In a play featuring powerful poetry, captivating physical sequences and some first-rate piano playing, it’s a shame the standalone talents don’t gel together mo...
Holly O'Mahony
Review: Dreamless Sleep, Arts Theatre
Dreamless Sleep is the latest play by young writer-director Georgie Staight. It’s a cripplingly funny, raw and moving examination of a relationship between N (N...
Review: Extremities, Theatro Technis
What if an attempted rape cannot be proven? What if, by the time any witnesses show, the attacker appears the bloodied, tied-up victim, and the victim seems to ...
Review: A Haunting, King’s Head Theatre
There are many interesting angles or routes a play on internet grooming and protecting teens from explicit online content could take. Why writer Nathan Lucky Wo...
Review: The Game’s Afoot, Madame Tussauds
"The Game’s Afoot!" shouts a police detective, in Sherlock Holmes-esque fashion. Armed with a pen, a map and an initial clue, we separate ourselves from the oth...
Review: Late Night, Barbican Centre
"History is freedom, history is imprisonment," says one character in Blitz Theatre Group and Nikos Flessas's surreal play Late Night, which excavates longings b...
Holly O'Mahony
Holly works in marketing for the Guardian and holds a degree in English Literature from the University of East Anglia. She combines her love of theatre and writing through her role as a reviewer for A Younger Theatre.