Review: A Manifesto for the Arts: The Next 50 Years, Ovalhouse
It’s that time of year again when we block out the noise of the everyday routine and reflect on our successes and failures, and remind ourselves of what is real...
Hannah Elsy
Review: Wildcard – Anand Bhatt, Sadler’s Wells
Anand Bhatt’s Wildcard takeover of Sadler’s Wells Lilian Baylis Studio comprises a variety of contemporary dance acts he has personally selected. All of the act...
Review: Dracula, Westminister Reference Library
In the bowels of Westminster Reference Library, Open Book Theatre Company has mounted an excellent site-specific production of Bram Stoker’s classic vampire yar...
Review: The Coronation of Poppea
I cannot say that I am a frequent presence at the opera, but I still found English Touring Opera’s adaptation of Monteverdi’s The Coronation of Poppea immense...
Review: The Last Yankee
The Print Room in Notting Hill is a venue in its infancy. It has been running for under three years but is a place to watch for its revival of little known wo...
Review: Othello Syndrome
This is not family Shakespeare. Othello is arguably one of Shakespeare’s darkest plays and this adaptation, Othello Syndrome, explores the psychology behind t...
Hannah Elsy
Alongside reading English at King's College London, Hannah runs around the capital watching and performing in as much theatre as physically possible. She enjoys creating new work, and is currently workshopping new ideas with the National Theatre's Young Studio. Hannah has worked as an arts journalist for the Fierce Festival of live art and Bristol's In Between Time Festival.