Review: IdeasTap Takeover, Foxy and Husk, Richmix
The IdeasTap Takeover: Love at Rich Mix is intended (as stated on the fliers) as an "escape from the mush of Valentine’s Day". The performance artist Fox Solo i...
Hannah Elsy
Review: Carthage, Finborough Theatre
Carthage is a piece of new writing from Chris Thompson, member of the Royal Court Studio writers' group, and is a realist drama surrounding the upbringing of To...
Review: The One Festival, Programme B, The Space
The One Festival is a new writing and performance platform in The Space, a delightfully gothic former church in the midst of the financial district's mini s...
Review: The Gay Naked Play, Above the Stag Theatre
The subtitle of the fabulously named Gay Naked Play is ‘a satire on artistic compromise’. This satire is wonderful in its ability to mock all things show-busine...
Review: Flight, Brockley Jack Studio Theatre
Mikhail Bulgakov’s Flight, translated by Howard Colyer, follows the fortunes of a small group of Russians as they flee the Crimea, finding temporary exile first...
Review: Hamlet, New Diorama Theatre
Sitting in the audience with a large school group for a production of Hamlet is always a trying experience. However, artistic pretensions aside, their reactio...
Hannah Elsy
Alongside reading English at King's College London, Hannah runs around the capital watching and performing in as much theatre as physically possible. She enjoys creating new work, and is currently workshopping new ideas with the National Theatre's Young Studio. Hannah has worked as an arts journalist for the Fierce Festival of live art and Bristol's In Between Time Festival.