4.0
Review: Brawn, The Space
It’s hard to do a ‘good’ show about masculinity. It’s very hard. All around us, masculinity and its impact on those surrounding it are experiencing a shift, bo...
Grace Patrick
4.0
5.0
Review: Outlying Islands, King’s Head Theatre
To be entirely honest, I went into David Greig’s Outlying Islands, directed by Jessica Lazar, expecting a play about seagulls and isolation. Maybe a bit like L...
4.0
Review: Pinter 5, Harold Pinter Theatre
I suppose I should preface this by telling you that I’ve experienced more or less nothing about either Harold Pinter, or his plays. I once saw a ten-minute chu...
Review: The Convert, Young Vic
I’ve been sitting for a little while now, trying to express exactly what I think about The Convert, and it’s proving difficult because everything I have to say...
Review: That Night Follows Day, Southbank Centre
That Night Follows Day reminds me very deeply of a couple of lines by Philip Larkin- “They fu*k you up, your mum and dad. They may not mean to, but they do.” Ho...
Review: Guys and Dolls, The Mill at Sonning
Following its original New York premiere in 1950, Guys and Dolls has grown to be a show that is known and loved around the world. In fact, it’s probably one of ...
Grace Patrick
Grace is originally from North Wales. She moved to London to do her English and Drama degree and to see as much theatre as possible.