4.0
Review: Anna Bella Eema, Arcola Theatre
It’s something of a relief that Anna Bella Eema opens with an explicit warning that past, present and future are really only divided because that’s how we like...
Grace Patrick
4.0
2.0
Review: Hansard, National Theatre
It’s the end of another strenuous week being a member of Maragret Thatcher’s cabinet in 1988, and Robin Hesketh (Alex Jennings) returns home to his wife Diana ...
2.0
Review: Preludes, Southwark Playhouse
Preludes, a new musical with the book, music and lyrics all created by Dave Malloy, takes its audience on a journey through the life and creative traumas of Se...
5.0
Review: A Very Expensive Poison, The Old Vic
At once anachronistic, investigative and deeply morally invested, it’s easy to see a million and one ways in which Lucy Prebble’s A Very Expensive Poison could...
3.0
Review: Falsettos, The Other Palace
It’s actually really frustrating to come out of a show like Falsettos, and to feel so very little. Naturally, there’s always going to be that question, perhaps...
2.0
Review: The Memory of Water, Nottingham Playhouse
Even though this play is focused on three sisters, I’d actually like to start this by talking about the men who come to surround them. Specifically, Mary’s (Be...
Grace Patrick
Grace is originally from North Wales. She moved to London to do her English and Drama degree and to see as much theatre as possible.