Review: Ramona Tells Jim, Bush Theatre
Ramona Tells Jim, the debut play by Sophie Wu at the Bush Theatre, is a piece fuelled by nostalgia to confront the gap that exists between expectations of what ...
Frey Kwa Hawking
Review: Bullish, Camden People’s Theatre
Bullish uses the story of Asterion, the Minotaur of Greek mythology, to examine the “sticky and joyous complexities of gender identity, and in particular the fl...
Review: Wings, Young Vic
The Young Vic’s new production of Arthur Kopit’s Wings, the first one to take place in London for 30 years, is a perfectly-pitched production in which Juliet St...
Review: Thebes Land, Arcola Theatre
There was a moment, during the interval of Thebes Land, in which Alex Austin, shooting hoops alone in the cage surrounded by the audience, missed the basket mak...
Feature: Adding the Zest of Youth to Brexit Theatre
Toby Ealden, artistic director of Zest Theatre and director of What Once Was Ours, is talking to me in a room with a high ceiling and a squiggly chandelier whic...
Frey Kwa Hawking
Frey Kwa Hawking is a small person, full of hate, who lives and writes in London. He likes to go to the theatre and the cinema. Sometimes they let him in. He is trans and Malaysian-Chinese. He always orders xiao long bao. Follow him on Instagram at @absentobject.