Edinburgh Fringe Review: Ecstatic Arc
(3/5)
Through the piercing darkness in the Library Gallery at Summerhall, a green and a red light can be seen glowing faintly. As lights of all shapes, sizes ...
Dan Hutton
Edinburgh Fringe Review: Fourplay
(2/5)
The opening of Jane Bodie’s Fourplay is dangerously close to Tom Stoppard’s The Real Thing (I’m not a fan). It has all the exclusive introspection of th...
Edinburgh Fringe Review: Facehunters
(4/5)
Well, there’s something to be said for listening to your critics. After Facehunters was criticised at the National Student Drama Festival this year for ...
Edinburgh Fringe Review: Sleeping Trees’ Odyssey
(3/5)
You may not expect sketch-show comedy, physical theatre and the works of Homer to go well together. They each kind of inhabit their own little world and...
Edinburgh Fringe Review: BLAM!
(3/5)
BLAM! is a show which lives or dies on whether or not this is your kind of humour. Its elongated fight scenes and childishness, like a glorified stunt m...
Edinburgh Fringe Review: Family Tree
(3/5)
Bella Loudon’s Family Tree is at its best when it is undergoing an experiment in form, exploring the representation of different versions of reality on ...
Dan Hutton
Dan recently graduated with a degree in English and Theatre Studies from the University of Warwick. He is a theatre-maker, freelance theatre critic and a company director of Barrel Organ Theatre.