Latitude review: Light, Theatre Ad Infinitum
Theatre Ad Infinitum is a company which constantly reinvents itself; two years ago, Translunar Paradise told a heartbreaking story of two people in love using m...
Dan Hutton
Latitude Review: Sixth Sense, Luke Jermay
Magic cards on the table: I 100% do not believe in psychics or fortune-tellers. Being a rationalist, I refuse to believe that the human mind has any ability wha...
Feature: Latitude preview – the RSC
Were you to make a list of acts who may play music festivals, the Royal Shakespeare Company would not necessarily be a name which featured highly. You’d probabl...
Feature: Revisiting ‘Grounded’ – blending the personal and the political
To say Grounded took last year’s Edinburgh Fringe by storm may be a bit of an understatement. For about a week, George Brant’s play about an American pilot who ...
Feature: Theatre at the Science Museum – Very loud bangs? Check.
(c) Benjamin Ealovega It’s not often you get handed a pair of ear defenders when walking into a rehearsal room; they are ordinarily ‘safe’ spaces with an ai...
Book review: The Complete Brecht Toolkit by Stephen Unwin
Although it’s a cliche, there’s a lot of truth to the old adage that, as Stephen Unwin says in his new book, “Brecht is often sloppily taught”. Many teachers of...
Dan Hutton
Dan recently graduated with a degree in English and Theatre Studies from the University of Warwick. He is a theatre-maker, freelance theatre critic and a company director of Barrel Organ Theatre.