Edinburgh Fringe Review: If Room Enough
(4/5)
There’s a lot of Shakespeare at the Fringe. It’s a fairly smart way of getting in audiences and allows you a large amount of creative licence with a wel...
Dan Hutton
Edinburgh Fringe Review: Anatomy of the Piano
(4/5)
I’ve always said that, if I could play any musical instrument, it’d be the saxophone. But after Anatomy of the Piano I think I’d now say the instrument ...
Edinburgh Fringe Review: Higgs
(3/5)
Jan van den Berg’s Higgs is more of a personalised lecture than a piece of theatre, but that is not necessarily a negative thing. Taking us through the ...
Edinburgh Fringe Review: Fantasy No. 10 – The Beauty of Life
(4/5)
I saw Vladimor Tzekov Stage Action Laboratory’s Fantasy No. 10 – The Beauty of Life as part of a Best of BE showcase last year, albeit in a version whic...
Edinburgh Fringe Review: An Actor’s Lament
(2/5)
Steven Berkoff’s face isn’t as massive in real life as the adverts would have you believe. The gigantic billboards and posters around the city promote t...
Edinburgh Fringe Review: The Principle of Uncertainty
(3/5)
The only thing we can be certain of is that we can't be certain of anything. The fundamental principle of Heisenberg's Uncertainty Principle is that by ...
Dan Hutton
Dan recently graduated with a degree in English and Theatre Studies from the University of Warwick. He is a theatre-maker, freelance theatre critic and a company director of Barrel Organ Theatre.