Edinburgh Fringe Review: A Midsummer Night’s Dream
Some of Shakespeare’s comedies beg for dystopian settings, but A Midsummer Night’s Dream is not one of them. Stagings of the problem plays frequently dwell on t...
Chloe Stopa-Hunt
Edinburgh Fringe Review: Rémy
Paradise in The Vault is located in the basement of Augustine United Church, and its austere, cell-like intimacy affords an irreproachably apt setting to Rémy, ...
Edinburgh Fringe Review: Shakespeare’s Queens: She-Wolves and Serpents
Shakespeare wrote many queens, and not least among them is Cleopatra, the Queen of Egypt. Even the unromantic and battle-hardened Enobarbus cannot deny her char...
Edinburgh Fringe Review: Werther’s Sorrows
Time Zone Theatre has brought two productions to this year’s Fringe, both adaptations, and with some common ground. One is Oscar Wilde’s Salome; the other is We...
Edinburgh Fringe Review: The Madness of King Lear
To explain the quality that elevates The Madness of King Lear into the sphere of superlative interdisciplinary theatre, we must look to Federico García Lorca: t...
Edinburgh Fringe Review: A One-Man Hamlet
A One-Man Hamlet stands or falls by its lone performer, Will Bligh – the man behind Berlin-based production company, Living Art. In tackling the most famous par...
