Edinburgh Fringe Festival: High North Movement
High North Movement was undoubtedly the strangest thing I saw at the Fringe all week. This is no mean feat, given that other productions included a Japanese re-...
Charlie Ely
Edinburgh Fringe Review: Cagebirds
David Campton’s Cagebirds is one of those plays that is shamefully not as well-known or acclaimed as it should be. Written in 1971, it combines absurdism with r...
Edinburgh Fringe Review: Hearts on Fire
“You will feel as if you’re going to die, I guarantee that,” promises the poster for Hearts on Fire, a new piece of immersive theatre inspired by a real-life di...
Edinburgh Fringe Review: Cover
Cover is a witty and successful update of the traditional, British, domestic farce; its writer Ed J. Smith applies the genre to a group of early-twenty-somethin...
Edinburgh Fringe Review: The Economist
Theodor Adorno wrote that “the name of disaster can only be spoken silently”, a tender summation of how atrocities can render words both useless and unwanted. ...
Edinburgh Fringe Review: Crypted
A hundred years after his birth, Alan Turing and his work are finally getting the attention they deserve, with calls to put his image on the next batch of £10 n...
