Review: The Development, Theatre Delicatessen
In their attempt to create a higher form of theatre, Soundboxed Collective have mashed together an intense and interesting hour-and-a-half of sound, movement, d...
Andy Smith
Review: Tatterdemalion, Camden People’s Theatre
From the puppetry genii who brought the fringe circuit hit Boris and Sergey to stages across the country, Tatterdemalion is a gloriously silly hour of physical ...
Review: Losers, The Rag Factory
The world of reality TV is one which is often satirised and picked apart by artists and performers as an exploration of modern intrigue in the personal lives of...
Review: The Man, Old Red Lion Theatre
Have you ever had to call HM Revenue & Customs to query a tax form? If you have, then you’ll know the struggle faced by our protagonist Ben in this deftly t...
Edinburgh Review: You, Me and the World, ZOO Southside
Get nine strangers in a van to reveal their innermost thoughts and ideas to each other, and you’ve managed to make a rare and tangible connection which is seldo...
Review: The Norman Conquests, Theatro Technis
Alan Ayckbourn, considered a classic notable of English playwriting, has seen a number of revivals throughout the last decade from the Fringe to the National Th...
Andy Smith
Andy has written arts reviews and articles for many online and Fringe sites and magazines, including One Room With A View, Exeposé, Broadway Baby, The Elektrospank, Pleasance Times and A Younger Theatre. He also plays the banjo for singer/songwriter Ben Murphie