5.0
Review: The D Word, VAULT Festival
Deftly dovetailing a deliciously droll disposition with a daringly dramatised dialogue on domestic difference and dynastic diversity, Jordan Waller’s dazzling ...
Aidan Bracebridge
5.0
4.0
Review: The Cult of K*nzo, Camden People’s Theatre
Debonair fashion icon that I am, I probably ought to say that I was previously so oblivious to Kenzo that I didn’t even know which letter had been replaced by ...
4.0
Review: Leave to Remain, Lyric Hammersmith
Imagine a joyful, precarious, tender love story between two young gay men in London; one a black British second-generation immigrant, the other a white America...
2.0
Review: A Modest Little Man, Bread and Roses Theatre
Following Clement Attlee from his unexpectedly successful election campaign in 1945, to his creation of the welfare state in 1948, Francis Beckett’s A Modest L...
2.0
Review: 24 Italian Songs and Arias / Diana Is Dead! The Yard Theatre
As I approached Hackney Wick for an improbable Tuesday night double-bill of 24 Italian Songs and Arias and Diana Is Dead! I struggled to recall ever feeling qu...
5.0
Review: Aisha, Tristan Bates Theatre
Aisha is a devastatingly powerful one-woman play about what it really means to be a victim of child marriage in the UK, not as an impersonal statistic but with...
Aidan Bracebridge
Sub Editor
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.