4.0
Review: Three Sisters, Vaudeville Theatre
Maly Drama Theatre of St. Petersburg’s production of Three Sisters, Anton Chekhov’s poignant exploration of human hearts in rebellion against the meaninglessne...
Aidan Bracebridge
4.0
5.0
Review: Beats on Pointe, Peacock Theatre
As Beats on Pointe whirls into London, scattering its magical blend of ballet and street dance, I arrive at the Peacock Theatre excited but a little nervous si...
4.0
Review: Captain Corelli’s Mandolin, Rose Theatre Kingston
The people of war-time Cephalonia fearfully await the entrance of their Italian occupiers. After a hurried hour of fairly disjointed scenes, I am almost as app...
3.0
Review: Wolfie, Theatre 503
With its long-lost twins, its wolf-mother, its tree-chorus and its woodpecker-arbiter, you would be forgiven for thinking Wolfie is a regular fairy-tale. You w...
1.0
Review: Never Trust a Man Bun, Stockwell Playhouse
“Brush your hair, pluck your eyebrows and put on something pretty”, Rachel (Natasha Grace Hutt) says to Lucy (Katherine Thomas, also the writer), because, as a...
4.0
Review: Medea, The Barbican
Simon Stone’s taut, modern adaptation of Medea pulls no punches so I’m not going to either: this is a brutally unflinching journey exposing many of the darkest...
Aidan Bracebridge
Sub Editor
Aidan grew up in Hertfordshire and studied English at Durham, graduating in 2017. He is known for his questionable taste in colourful shirts and an excessive enthusiasm for literary themed parties.