The human brain and its method of functioning is deeply complex, and requires years of study and thousands of pounds-worth of medical research to begin to scratch its surface. In Analogue’s production of 2401 Objects ,the complexities of the human brain are told through the story of Henry Molaison, who, after experimental brain surgery, loses his memory from several years and is unable to produce memories of the current time. He is essentially trapped in a period of time, unable to grasp his future or live with what is happening to him. It’s a compelling story, but one that Analogue dissects through its narrative, and inventive use of projection and stage design.

Henry, played by both Sebastien Lawson and Pieter Lawman, suffers from epilepsy, restricting his life to living with his parents even at the age of 30. He is paralysed with fear that the rest of the world won’t appreciate his fits, and this renders him incapable of getting a job. Henry’s parents (Melody Grove and Lawman) support their son as best they can, but the desire to get him seen by a brain surgeon leads them to this treatment, which sadly only makes Henry worse.

Analogue mixes well-written dialogue with superbly created projections and multimedia by Thor Hayton, to deliver its Edinburgh Festival production. Considering the subject matter, which won’t appeal to everyone, Analogue presents it in an imaginative and informative manner. The science is presented to the audience in simplistic but understandable circumstances, with the tale of Henry assisting in this.

The production values match the quality of dialogue and performances from the creatives and cast. Designed and construction by Oldenburgisches Staatstheater, a rotating gauze screen adds an excellent dimension to the production, allowing images to be projected, and scenes to materialise, from the darkness – echoing the complexities that Henry endures with his memory coming and going so easily.

It’s understandable why Analogue’s production was nearly sold out on the afternoon I saw it. 2401 Objects is a fine piece of theatre that breaks down the barriers of science as a something to be understood by those who have studied it. The story of Henry Molaison is fascinating, and Analogue presents it with tender care and imagination. A must see for people looking for a more defined production at this year’s Edinburgh Festival.