Edinburgh Fringe Review: The Hand-Me-Down People
All you'd have to do is play 'You've Got A Friend In Me' and The Hand-Me-Down People could be facing a copyright battle with the makers of Toy Story. The story ...
Veronica Aloess
Edinburgh Fringe Review: The Velveteen Rabbit
The Velveteen Rabbit is one of those old children's books that aren't loved and cherished by children today as they were by the generation before. Children iden...
Edinburgh Fringe Festival: Bat Boy
Bat Boy is an absolutely wacky, wonderful musical, from Durham University Light Opera Group, a university abounding with theatrical talent. Bat Boy is ab...
Edinburgh Fringe Review: Dracula: Sex, Sucking and Stardom
I was very worried that this was one of those shows with a bad name that makes an absolute mockery of a classic novel in a way that's not funny at all. It's som...
Edinburgh Fringe Review: Leather
Leather is a story we've all seen in a Hollywood movie: some drugs are hidden in something innocent looking - like a leather sofa - and said something is stolen...
Edinburgh Fringe Review: Rainbow
The Edinburgh Fringe excites me because of plays like Rainbow. By way of form it's brave: an hour and twenty five minutes of what is essentially three monologue...
Veronica Aloess
Veronica Aloess is currently Duty Manager of the Battersea Arts Centre and a freelance writer. She has written subtitles for major production companies and channels including the BBC, and written for publications including The Stage, Broadway Baby and One Stop Arts. She trained at Arts Educational Schools London Sixth Form and graduated with a First in English and Creative Writing from Brunel University, as well as completing a year with MGC Futures and the Soho Young Company.