Review: Fleabag
A woman walks onto a stage, sits down on a chair and starts telling a story. Fleabag, written and performed by Phoebe Waller-Bridge, has at its heart a wonder...
Simon Holton
Review: The Vacuum Cleaner
Anti-theatre. Meta-theatre. Absurdism. Surrealism. Dada. Call it what you like, attempting to subvert and destroy the conventions, structure and narrative of tr...
Review: Los Vivancos
In this surprisingly seasonal heatwave we are currently enjoying, what better time for a visit from Spanish dance troupe Los Vivancos to the London Coliseum, ...
Review: what happens to hope at the end of the evening
The best theatre leaves you with a feeling of excitement, thoughtfulness and, in some rare cases, a feeling of loss. Tim Crouch and Andy Smith’s new collabora...
Review: Face to Face Festival of Theatre
As someone accustomed to performing as part of a tight-knit ensemble, there is something distinctly terrifying about performing alone. No-one there to cover for...
Review: The Great Gatsby
The Great Gatsby is a novel which seems to bear endless adaption, mutating into different forms. We’ve had numerous film adaptations, an eight-hour-long play,...
Simon Holton
Since returning to the UK after sojourns in the German-speaking world, Simon has plunged himself headfirst into the world of theatre, as both a creator and consumer. Actor-in-training and self-confessed Germanophile, Simon is pursuing diverse interests in experimental and fringe theatre.