Review: The Weir, Wyndham’s Theatre
The Weir already feels like a modern classic, as it is welcomed into its much anticipated West End transfer to Wyndham’s Theatre. With an all-star cast and it...
Simon Holton
Review: One Festival: Programme A, The Space
Solo performances can be like Marmite, but whether you love it or hate it a night of four solo performances is going to be full of variety. The opening night of...
Review: Woman in the Dunes, Theatre503
Kagami Theatre certainly knows how to create an atmosphere. The space of Theatre503’s intimate above-pub auditorium is used well by the design team of this prod...
Review: Don Quijote, Camden People’s Theatre
There can be few works of literature more daunting or more resistant to interpretation than Cervantes’s two-volume Old Castilian epic, The Ingenious Gentleman...
Review: Bourgeois & Maurice’s Sugartits
"Cabaret has exploded", proclaims Georgeois Bourgeois, of Bourgeois & Maurice fame, during their new show Sugartits, now playing downstairs at Soho theatr...
Review: The Secret Agent
Literary adaptations for the stage can be tough. The audience comes with dual expectations: for the production to remain faithful to and do justice to the origi...
Simon Holton
Since returning to the UK after sojourns in the German-speaking world, Simon has plunged himself headfirst into the world of theatre, as both a creator and consumer. Actor-in-training and self-confessed Germanophile, Simon is pursuing diverse interests in experimental and fringe theatre.