Review: Iolanthe, Richmond Theatre
When I was first told that this production of Gilbert and Sullivan's Iolanthe would be made up of an all- male cast, I was sceptical. To me it felt like a step ...
Saskia Coomber
Review: Mountains: The Dreams of Lily Kwok, Stratford Circus
In- Sook Chappell's Mountains: The Dreams of Lily Kwok, tells the astounding true story of Lily's fight to achieve her aspirations, by educating herself out of ...
Review: Love Me Now, Tristan Bates Theatre
It is rare, at least in the new writing that I have seen, that the entire production works together seamlessly, however the team of Michelle Barnette's Love Me ...
Review: Faces In The Crowd, White Bear Theatre
White Bear Theatre is the perfect venue for this intimate look at the issues and importance placed upon financial status in Upstanding Productions' Faces In The...
Review: After The Ball, The Gatehouse
After The Ball, written by Ian Grant, sees William Randall (Stuart Fox) grow from an idealistic young man to a frail whisper of who he used to be, and the relat...
Review: Version 2.0, Leicester Square Theatre
Under the hustle and bustle of Leicester Square, there is a humanoid standing in a Perspex box with her back to the audience, stood still whilst we take our sea...
Saskia Coomber
Saskia is a born and bred Londoner who studied BA (Hons) Acting at the University of Central Lancashire. She was lucky enough to be able to attend theatre from a young age, which encouraged a love of storytelling that has stayed with her to the present day. It is for this reason that Saskia is so thrilled to be reviewing for A Younger Theatre.