Review: Fat Man, Vault Festival 2015
Beneath Waterloo station, at the end of a graffiti blazon stretch you'll find the Vault Festival - the epitome of underground theatre. Step inside a cavernous t...
Ruby-isla Cera-Marle
Review: Hello/Goodbye, Hampstead Theatre
Hello/Goodbye is a kitchen sink drama: however, exactly who that kitchen sink belongs to is a real bone of contention. Having been forced to make a swift exit f...
Review: Dante’s Inferno: A Modern Telling, The Rag Factory
“For the people tired of the same money generating schemes on the West End. For the people who crave different kinds of honesty from their theatre. For the peop...
Review: Nell Gwyn: An Epilogue, Pleasance Theatre
The Pleasance Theatre ranks as one of the friendliest fringe venues that I know, a spirit which is echoed in the way in which they programme many of the 400 plu...
Review: The Talented Mr Ripley, New Diorama Theatre
Much to his parents dismay American-born Dickie Greenleaf, who was supposed to only be in Italy for a few months, keeps extending his stay. Desperate to be reun...
Review: The Nutcracker, The Coliseum
Christmas for the English National Ballet means a resplendent and joyously festive production of The Nutcracker. Since its inception, the much-loved balletic ma...
Ruby-isla Cera-Marle
Ruby isla Cera Marle recently graduated from Royal Holloway University of London where she studied Spanish and European Literature and Cultural Studies. Currently Ruby is working as Press and Marketing Assistant at Rambert Dance Company..