Review: Homestead, Tristan Bates Theatre
Eight women’s voices fill the haunting space, absorbing the silence in a stirring, expressive song and hurling the death of the father/husband onto the audience...
Rebecca Gwyther
Review: Cavalleria Rusticana/Pagliacci, Royal Opera House
Two operas entirely rooted in the sinful tragedy of unrequited love. Cavalleria Rusticana and Pagliacci spill reams of remorse and devastation onto the audience...
Feature: Staging A Revolution with Belarus Free Theatre
It’s rare that I am so entirely overwhelmed by a production that I walk out and start reading articles about the company but with Belarus Free Theatre (BFT) I d...
Review: Desperate Measures, Jermyn Street Theatre
It’s the Swinging Sixties and London is in its years of non-conformist and uncontrollable values. What was once known as Shakespeare’s Measure for Measure is no...
Review: Generation Jeans, Belarus Free Theatre (Secret Location)
We meet on the steps of St John’s Church, all gathering quietly with only a few murmurs of guessing scuttling between groups. We are all slightly clueless to th...
Review: The King of Tiny Things, Greenwich Theatre
We all have to grow up one day… Or do we? Metta Theatre brings The King of Tiny Things to Greenwich Theatre where it beams with character and charm. Here even I...
Rebecca Gwyther
Figuring out what to do in life. A passion for theatre, literature and maths. Yes, maths. Gave up on the idea of being an Olympic Figure Skater, an engineer and a lawyer but theatre has remained an addiction (alongside the coffee, of course). Can often be found writing, directing, producing, making music, acting, singing and dancing. If not, I'm usually at the theatre.