5.0
Review: Noises Off, Lyric Hammersmith
Widely considered one of the funniest plays in the English language, Michael Frayn’s meta-farce, Noises Off, premiered at the Lyric Hammersmith in 1982. Now it...
Olivia Gibbs-Fairley
5.0
4.0
Review: The Crucible, The Yard Theatre
Like many people of younger generations, I first became aware of Arthur Miller’s 1953 play, The Crucible, when I studied it for GCSE drama. Getting a group of ...
4.0
Review: Akhnaten, London Coliseum
Ancient Egyptian culture is so strongly associated with a worship of a multitude of gods and goddesses (as well as pyramids, hieroglyphics and mummies) that fe...
4.0
Review: Good Women, VAULT Festival
Three women dressed identically in white, pray silently while religious music plays in the background. The lights dim and the show begins. The women perform a ...
4.0
Review: Jayde Adams: The Divine Miss Jayde, Soho Theatre
How can someone who worked on the Asda fish counter become a
diva? Be Jayde Adams; a dynamic, feisty, wickedly-funny Bristolian comedian
(and a former Asda wor...
Review: Macbeth, The Garrick Theatre
Directed by Natasha Nixon, Macbeth is the latest production by the National Youth Theatre REP Company, and the final in its 2018 season (the two previous produc...
Olivia Gibbs-Fairley
Olivia has had a passion for theatre since a young age and loves (in no particular order) drag, improv, cabaret, sketch comedy and musicals. Olivia has just graduated from the University of Bristol and is thrilled to have moved back to her home city of London where she can continue to review for A Younger Theatre while pursuing her acting career.