Review: Hero
It seems far too much of a coincidence that I’ve woken up, after seeing Hero the night before, to my twitter feed totally clogged with people twitting their d...
Natasha Kaeda
Review: Lemony Snicket’s Latke Who Couldn’t Stop Screaming
At this time of year it is normal for theatres to be awash with pantos. At the Roundhouse, though, YaD Arts and Tall Stories have created Lemony Snicket’s Latke...
Review: Carbon Dating
“Are there any good ones left?” Carbon Dating is a guilty pleasure of a play, caught somewhere between Bridget Jones and Take Me Out. Newly-established thea...
Review: The Broken Rose
Sarah Goddard’s new play The Broken Rose explores the lines between reality and fantasy. When has a fantasy been taken too far? Are those that believe in their ...
Review: The Duchess of Malfi
To quote T.S. Elliot, "Webster was much possessed by death", and in Eyestrings production of perhaps his greatest play The Duchess of Malfi, death is very much ...
Review: Minsk, 2011
Shocking, visceral and totally rough around the edges, Minsk, 2011 is a strikingly real portrait of life in the only remaining dictatorship in geographic Europe...
