Review: Little Malcolm and His Struggle Against the Eunuchs, Southwark Playhouse
It has to be said that, no matter how good the play might be, programming a three-hour long piece in a small, studio theatre in July – without air conditioning ...
Lisa Carroll
Review: 1984, Playhouse Theatre
Sometimes it can feel as if everyone in the theatre business is in on playing an elaborate game of The Emperor’s New Clothes. Everyone can see the naked truth a...
Review: The Red Lion, National Theatre
Does money talk louder than loyalty, trust, and the beautiful game? These are among the many pressing questions raised by Patrick Marber’s accomplished new play...
Review: Eclipsed, Gate Theatre
The Gate’s always wonderfully intimate space is this time transformed into a rebel military base in war-torn Liberia, in director Caroline Byrne’s accomplished ...
Review: Measure for Measure, Barbican Silk Street Theatre
Not only am I not familiar with Shakespeare’s Measure for Measure (much to my shame), but I also cannot speak fluent Russian, which could have made my evening a...
Review: Golem, Trafalgar Studios
In the heart of busy London town, you can find yourself sucked into to an alternate, dystopian world at the hands of acclaimed company, 1927, who bring their la...
Lisa Carroll
Lisa Carroll graduated from University College Dublin in 2012 with a B.A International in English. She is also a playwright, script reader and director. @lisa_carroll46 www.lisa-carroll.co.uk