Review: Mess
Josephine, Boris and Sistahl are putting on a play with some songs in it. As they pile onto the stage, tripping over each other like children doing a show for...
Lauren Mooney
Review: London Pride and Audience with the Ghost Finder
Blackshaw Theatre runs a regular new writing night in Lambeth and is committed to nurturing budding playwrights. As part of the Wandsworth Arts Festival and F...
Review: The Static
After a successful Edinburgh Fringe run, ThickSkin’s production of The Static is touring the country with its high-energy tale of young love and the difficultie...
Review: You Can Still Make A Killing
Some art is universal, some is completely a product of its time. Nicholas Pierpan’s You Can Still Make a Killing could not have been written before the recess...
Review: Desire Under the Elms
It may be nearly a hundred years since Desire Under the Elms was written, but the stage still brims with the barely-repressed desire promised by the title of ...
Edinburgh Fringe Review: I ♥ Peterborough
As you traipse down the stairs to find a seat, the stage in Pleasance Two seems to be set for a kind of Eighties cabaret act. Lulu (Milo Twomey), a drag queen, ...
Lauren Mooney
Lauren graduated with an English degree from the University of Liverpool before moving to London. Aside from reviewing for AYT and her day job at Free Word, she also writes for Exeunt and TheatreGuide London, and helps make the London Horror Festival happen.