Review: Harrogate, Pumphouse
On a clean white stage, a father and daughter engage in banter about Little Mix, his lack of cleaning skills, and her refusal to buy the ‘right’ school shoes. H...
Laura Peatman
Review: So Here We Are, Aldeburgh Jubilee Hall
Winner of a 2013 Bruntwood Prize for Playwriting, Luke Norris’s debut play is now co-produced with the Royal Exchange Theatre and is heading for a Manchester tr...
Review: Jekyll and Hyde, Platform Theatre
Jonathan Holloway's reincarnation of Stevenson's Gothic classic Jekyll and Hyde claims to "appropriate and reinvigorate the story for contemporary audiences" an...
Review: The Car Man, Sadler’s Wells
The grittiest work in Bourne’s repertoire, The Car Man returns to Sadler’s Wells after a new UK tour, bringing its stifling heat, brutal murder and deadly reven...
Review: The Barber of Seville, JW3
OperaUpClose aims to bring operas to whole new audiences by showing off the form in all its glory, in accessible, surprising stagings of classics “without compr...
Review: And Then There Were None, Richmond Theatre
And Then There Were None is one of Agatha Christie’s most popular and widely-read crime novels, and one of her most difficult conundrums to crack. It has been a...
Laura Peatman
Laura is an English graduate, tea drinker and theatre blogger. She currently works as the press officer for RADA, as well as reviewing and sub-editing for A Younger Theatre and running her own blog.