Review: Rapunzel, Theatre Royal Stratford East
The audience’s anticipation is met with a warm welcome of two protagonist of the pantomime Rapunzel at Theatre Royal Stratford East: Baby Bear (Gemma Salter), a...
Lara Domke
Review: Ordinary Days, Drayton Arms Theatre
It is getting darker and colder in London and Christmas is still a month away. Now is the right time for an escape into an optimistic musical about the Ordinary...
Review: The Secondary Victim, Park Theatre
How can we draw a line between the public and private self? What if our routine is turned upside down and affects our private relationships and self-concepts? W...
Review: No Place like Hope, Old Red Lion Theatre
A story about an unlikely friendship: two misfits find each other to re-find life again. We all have heard these stories. No Place Like Hope, written by Callum ...
Review: Mother Courage and Her Children, Southwark Playhouse
How does war sound? How does it feel to breath the life-threatening air? Dim light, a grey shaded set design (Barney Georg), aircraft noises and soldiers we...
Review: Suzy Storck, Gate Theatre
The audiences find their seats around the stage in a square setting: A playground set in a forest. It suggests freedom and relaxation, but something feels limit...
Lara Domke
Lara is an emerging theatre-maker especially interested in the mind and the gap between the body. Therefore, she writes and performs (self-)consciously. She is about to finish her BA Performance studies at the Royal Central School of Speech and Drama in 2018. Crossing the borders to go home to Germany and on holiday, she also loves travelling from the real world.