Edinburgh Review: Ernest and the Pale Moon, Pleasance Courtyard
Les Enfants Terribles has produced a visually stunning tale of Gothic horror that will set your teeth on edge. Reminiscent of Tim Burton’s work, the play contai...
Lana Harper
Edinburgh Review: Shrew, C cubed
Shakespeare’s The Taming of the Shrew has a long history of adaptation and response, from John Fletcher’s proto-feminist response The Tamer Tamed just a few yea...
Brighton Fringe Review: The House of Blakewell’s House Party, Marlborough Theatre
House of Blakewell’s House Party is a light-hearted, interactive cabaret which parodies wannabe-hipster life. Having just moved in to a flat in Peckham because ...
Brighton Fringe Review: Close To You, The Warren
Close To You is a frequently powerful one-woman show documenting an aspiring actress’s descent into anorexia, fuelled by her obsession with Karen Carp...
Brighton Fringe Review: A Berlin Kabaret, The Warren
(2/5 Stars) A series of subversive songs originally from the twenties through to the fifties, A Berlin Kabaret focuses on the dissenting voices against the ...
Brighton Fringe Review: Casting the Runes, The Warren
(4/5 Stars) This gripping adaptation of M.R. James’s classic ghost story Casting the Runes is a slick and perfectly-pitched hour of tense theatrical enjoyme...
Lana Harper
Lana is a performer, director and freelance copywriter. She has a decade of theatrical experience and has reviewed for The Stage as well as working for Shakespeare’s Globe as a researcher and dramaturg. She is currently completing a doctorate on 17th century theatre.