Review: La Cage aux Folles, New Wimbledon Theatre
Herman and Fierstein’s La Cage aux Folles was, when it first premiered, a risque and outrageous show which brought with it a rebellious and brave statement for ...
Katie Walsh
Review: Perfectly Imperfect, Ovalhouse
What is perfect? Danyah Miller asks the audience this very daunting question, prompting some terribly uncomfortable looks around the theatre. ‘Perfection’ is no...
Review: The Lock In, VAULT Festival
We’ve all been there. It’s coming towards closing time in the pub and you’re just not quite ready for the night to end. The pub doors are bolted, the curtains a...
Review: The Blue Bird, The Albany Theatre
Lightbox Theatre have breathed life into The Blue Bird, which was written in the early 20th century by Maurice Maeterlinck. The Albany was filled with eager chi...
Review: Becoming Shades, The Vaults
As part of VAULT Festival, Chivaree Circus brought the audience on an intimate, immersive, and fragmented journey into the underworld with Persephone in Becomin...
Review: Abigail, The Bunker Theatre
The bunker theatre is buried in an unused car park, mysteriously hidden away on Southwark street. With a winding and sloping entrance, the audience are met by f...
Katie Walsh
Katie hails from the West of Ireland where she has been encompassed by the Arts from a young age. With a Masters in Drama and theatre from NUIG, she has a varied background in theatre; on the stage, playing music or behind the scenes searching for missing props as a disgruntled stage manager. Other interests include telling endless anecdotes, spending time with her cats and cleaning London's canals.