Review: How to Win Against History, Assembly George Square
How to Win Against History is one of those plays at the Fringe that has the double-edged curse of “hype”. Last year, it played in the tiny Box at Assembly Georg...
Katie Smith
Review: Suspicious Minds, Pleasance Dome
After an act of unfaithfulness, a seemingly ordinary British couple book a holiday together to try and salvage their relationship. We watch as the couple, Mark ...
Review: Prom Kween, Underbelly Cowgate
Before Prom Kween even starts, I have glitter on my face and am singing along to the Spice Girls, the lyrics projected on a screen over images of famous RuPaul’...
Review: The Nature of Forgetting, Pleasance Courtyard
It’s Tom’s 55th birthday, and his daughter, Sophie, prepares him for a visit by two of his friends. But Tom has an unspecified degenerative disease that affects...
Review: Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (A Rave Fable), theSpace
Set up in order to “reflect the diversity of the real world on stage”, Clumsy Bodies is a queer theatre company formed by disabled artists presenting their take...
Review: Heather, Summerhall
Heather, created by theatre company Dancing Brick, twists and turns around the story of an unexpectedly successful fantasy novel and the elusive author behind i...
Katie Smith
Katie is a freelance director and writer, and recent graduate of the University of York. You can find her on Twitter as @katzsmitz