Review: The Fall, Bay 56 Theatre
Adapted for stage by performing arts company Empath Eyes, The Fall is a forty-minute theatrical reimagining of Tarsam Singh’s 2006 adventure/fantasy film of the...
Josephine Balfour-Oatts
Review: Yamato — Chousensha – The Challengers, The Peacock, Sadler’s Wells
Founded in 1993 by Masa Ogawa, Yamato are a troupe of sixteen Japanese drummers. Based in Asuka, Japan, their artistry is centred around the Taiko, a traditiona...
Review: One Was Nude and One Wore Tails, Hen and Chickens
Created in a living room in Southend by Darren Ruston, Elena Clements and Michael Ward, Theatre of Heaven and Hell revive Italian playwright Dario Fo’s One Was ...
Review: Ionesco/Dinner at The Smiths’, Latvian House
Created by Marianne Badrichani and The Company, Ionesco/ Dinner at The Smiths’ is a pop-up, immersive and bilingual theatrical experience inspired by the comic ...
Review: Swifties, Theatre N16
Sitting above The Bedford Arms in Balham, Theatre N16 is currently home to Tom Stenton’s Swifties – a twenty-first century reimagining of Jean Genet’s The Maids...
Review: Grounded, Gate Theatre
First performed at the Gate Theatre in Notting Hill in 2013, George Brant’s Grounded returns with its original star Lucy Ellinson for a month-long run as part o...
Josephine Balfour-Oatts
Josephine graduated from The University of Bristol with a BA(Hons) in Drama in 2016. Currently based in London, she is a freelance writer, as well as regular contributor to AYT.