Review: Disco Pigs
With its bizarre language, penchant for violence, and portrayal of an insular and dangerous youthful society, Enda Walsh’s play Disco Pigs is of the same ilk ...
Imogen Sarre
Review: Cornelius
Director Sam Yates has done a marvellous thing. He has managed to revitalise J.B. Priestley’s play Cornelius – a play that, tellingly, has not been produced i...
Review: A Walk on Part
Michael Chaplin’s A Walk on Part dramatises the fall of New Labour as documented by the diaries of ex-MP Chris Mullin. Following success both in Newcastle and a...
Review: The Drawer Boy
Michael Healey’s play, The Drawer Boy, is loosely based upon real events: it tells of the summer of 1972 when a group of actors lived and worked among farme...
Review: Boys
By turns funny and tragic, deep and superficial, engrossing and alienating, Boys is a play that tries to do everything and very nearly succeeds. Set at the end o...
Review: Abigail’s Party
Rather than the party that the title promises, we are presented with a gathering that stinks of second best. In Abigail’s Party, Mike Leigh’s 1977 suburban ...
Imogen Sarre
Imogen Sarre founded and manages theatre reviewing sites based in Oxford, Cambridge, Bristol, Durham and up at the Edinburgh Fringe Festival. She blogs and reviews theatre, is a script reader for Theatre 503, and currently does digital marketing at Ambassador Theatre Group.