Review: Sally’s Alright, Etcetera Theatre
Sarah Tattersall has written and produced a strong debut show in Sally’s Alright. It’s an engaging mix of a show, in which Tattersall plays a 20-something ‘wash...
Hattie Pierce
Review: Thunderstorm, London Coliseum
Thunderstorm’s busy opening night at the London Coliseum marked the opening of The Shanghai Season. Shanghai Opera's Thunderstorm was developed as an opera from...
Review: Fury, Soho Theatre
Fury is playing as part of the ‘Who Runs The World? Girls’ Autumn Season at the Soho Theatre, and it starts off the run on an exceptionally high note. Phoebe Ec...
Review: Valiant, So and So Arts Club
David Hare said of verbatim theatre, that it “does what journalism fails to do”. Lanna Joffrey’s verbatim play Valiant, which is playing as part of the Women in...
Review: Grey Man, Theatre503
Lulu Raczka’s brilliant double monologue Grey Man, playing at Theatre503 this week, was developed out of a one-hander first performed as part of the Shakespeare...
Review: The Flying Lovers of Vitebsk, The Sam Wanamaker Playhouse
The constancy of Marc and Bella Chagall’s love for one another from the moment they met until Bella’s death was a consistent influence on Marc Chagall’s work. T...
Hattie Pierce
Hattie lives in London and sees as much theatre as there’s time for. As well as reviewing theatre and live art, she is a script reader within film, and reads poetry and prose submissions. She also writes for the stage.