Ad Infinitum: “It’s a serious problem we have and we’re not really facing it”
The team behind Chloe and the Colour Catcher, return with a very personal project about themselves - a same-sex couple and how and if they should have kids. ...
Gus Mitchell
Review: Yerma, Cervantes Theatre
Federico Garcia Lorca’s Yerma, first performed in 1934, is a deeply strange and dark play, full of rural ghosts, poetry and ritual. It’s the final part, as the ...
Review: Pressure Points, White Bear Theatre
Pressure Points, written by Jack Stanley and presented in the stripped-back space at the White Bear, asks us what being a political young person today might loo...
Review: Don Quixote, Garrick Theatre
The RSC’s Don Quixote, originally staged at The Swan Theatre, Stratford-upon-Avon in 2016, emerged from the company’s 400th anniversary celebration of Shakespea...
Review: Mrs Dalloway, Arcola Theatre
Virginia Woolf’s Mrs Dalloway is, like much of her work, more interested in the complexities of the human individual than in the intricacies of plot. The novel,...
Gus Mitchell
Gus is a writer of all stripes from Islington, making theatre and music.