Review: Just In Time, The Pheasantry
In the small, friendly and truly atmospheric Pheasantry, Anne Reid and Stefan Bednarczyk step onto the stage. They start with Reid at the piano and Bednarczyk s...
Franciska Éry
Review: The King Of Tiny Things, Udderbelly Festival
Jeanne Willis and Gwen Millward's picture book is about two sisters meeting the 'King of Tiny Things', who shows them the mysterious creatures of the night. The...
Review: The Invisible, Bush Theatre
Rebecca Lenkiewicz's The Invisible is an urgent play that succeeds at raising awareness without shouting its message directly to its audience. This new legal dr...
Review: Three Writers Walk Into A Forest, Theatre503
With fairy tale reboots, retellings and revamps being very popular today, it is difficult to find a fresh take on the classics. Luckily, writers Ian Dagger, Pip...
Review: Dot, Squiggle and Rest, Royal Opera House
Introducing music to small children at a young age has proven to be very beneficial; it enhances listening, develops the aural memory and even supposedly makes ...
Review: The Free Association, The ARTSpace
The ARTSpace is a small, intimate studio above The De Beauvoir Arms in Haggerston, just a short walk away from the station. Entering the pub we are immediately ...
Franciska Éry
Franciska studies a masters in Performance Making at Goldsmiths, University of London. When not performing or directing, she loves watching unconventional theatre, editing short films and making up embarrassing choreographies in her bedroom