Review: Another Night Before Christmas, The Bridge House Theatre
With Christmas just around the corner, many of the audience at the Bridge House Theatre may be able to empathise with protagonist Carole’s disdain for the comme...
Emily May
Review: Swan Lake/Loch na hEala, Sadler’s Wells
The stage is set with an unlikely assortment of objects. A utilitarian platform, instruments, ladders, wiring and microphones conjure thoughts of a warehouse. I...
Review: Akram Khan’s Giselle, Sadler’s Wells
English National Ballet (ENB) are fast becoming one of the most intriguing companies at work in the UK today. Under the artistic direction of Tamara Rojo, they ...
Review: Pride and Prejudice, Richmond Theatre
“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” The infamous Austen quotation rings throu...
Review: Oreste, Wilton’s Music Hall
It is not every day that an audience member enters the world’s oldest surviving music hall and is confronted with staging adorned with aggressive graffiti. This...
Review: Virgin Territory, The Place
It is irrefutable that choreographer, Charlotte Vincent, is passionate about her subject. The Place’s bar is filled with pre-show information and activities tha...
Emily May
Emily May is currently studying for a degree in Contemporary Dance at Trinity Laban Conservatoire of Music and Dance. As well as performing and choreographing, she reviews contemporary dance, theatre and art on her own blog (www.abohemianinlondon.wordpress.com) and was recently part of the reviewing team for Resolution festival 2016. Emily has a wide variety of cultural interests, including European art, literature and history.