Review: Resolution 2017, The Place
Resolution 2017 is the 28th edition of the celebrated platform for emerging contemporary dance choreographers. With a different triple-bill every night for just...
Emily May
Review: Another Night Before Christmas, The Bridge House Theatre
With Christmas just around the corner, many of the audience at the Bridge House Theatre may be able to empathise with protagonist Carole’s disdain for the comme...
Review: Swan Lake/Loch na hEala, Sadler’s Wells
The stage is set with an unlikely assortment of objects. A utilitarian platform, instruments, ladders, wiring and microphones conjure thoughts of a warehouse. I...
Review: Akram Khan’s Giselle, Sadler’s Wells
English National Ballet (ENB) are fast becoming one of the most intriguing companies at work in the UK today. Under the artistic direction of Tamara Rojo, they ...
Review: Pride and Prejudice, Richmond Theatre
“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.” The infamous Austen quotation rings throu...
Review: Oreste, Wilton’s Music Hall
It is not every day that an audience member enters the world’s oldest surviving music hall and is confronted with staging adorned with aggressive graffiti. This...
Emily May
Emily May is currently studying for a degree in Contemporary Dance at Trinity Laban Conservatoire of Music and Dance. As well as performing and choreographing, she reviews contemporary dance, theatre and art on her own blog (www.abohemianinlondon.wordpress.com) and was recently part of the reviewing team for Resolution festival 2016. Emily has a wide variety of cultural interests, including European art, literature and history.