Jordan Seavey: “Queer people should have equal access”
Dovydas Laurinaitis chats to Jordan Seavey about his new play Homos, Or Everyone in America, 'gay theatre' and never having to negotiate your voice. Chroniclin...
Dovydas Laurinaitis
Review: Camden Fringe Festival, Pomegranate Season, Cockpit Theatre
Facing a multitude of environments, Cockpit Theatre’s tier seating encases the thrust stage. Lights rise upon hints of a bedroom; a frameless mattress surrounde...
Review: Camden Fringe, One Last Look, London Irish Centre
Lit by a sequence of flush ceiling lights, the audience sit traverse in a pseudo-conference room. A table marks one side; a pair of sofas’ the other. Mia (Maria...
Review: Aristocrats, Donmar Warehouse
A dollhouse sits alone atop a stool, held by muted white light encasing the perimeter of the Donmar Warehouse’s thrust stage. Pastel green paint washes the enti...
Review: Homos, Or Everyone in America, Finborough Theatre
Making its European debut at the Finborough Theatre, Jordan Seavey’s 2016 play is an examination of the ideological conflicts that underpin modern relationships...
Review: The Caucasian Chalk Circle, Embassy Theatre
The Caucasian Chalk Circle by Bertolt Brecht is a play chronicling the fall and restoration of society. A web of interwoven narratives examines the effects on t...
Dovydas Laurinaitis
Dovydas is a writer, performance maker and musician, currently studying performance at the Royal Central School of Speech and Drama. Fan of postmodernism, Marina Abramović and obscure alternative pop