Review: The Pirates of Penzance, London Coliseum
There is no shortage of pillars around the perimeter of the London Coliseum, but two more appeared onstage at the opening night of the English National Opera’s ...
Dan Rubins
Review: purged, The Hope Theatre
A flick of a wrist, the extension of a finger, a fist beating twice upon a chest. These are the gestures that propel Orla Sanders’ searing one-woman performance...
Review: The Depraved Appetite of Tarrare the Freak, Wilton’s Music Hall
“I don’t have dreams – I just want to be full,” the puppet sings, turning his pleading, extraordinarily expressive eyes towards the audience. He is Tarrare, “Th...
Review: her, Half Moon Theatre
The young refugee turns to the audience, beseeching someone to help her, begging for someone to listen. When no one speaks on her behalf, she follows the bus dr...
Review: A Year From Now, The Vaults
What is in store for each of us in the mystery-in-progress known as 2017? We may not all be ready to confront that question yet, but the members of RedBelly Bla...
Dan Rubins
Originally from New York City, Dan is a writer, composer, and educator currently studying Shakespeare at King's College London. When not at the theatre, he usually can be found singing with two London choirs or reading obscure early modern plays at the library.