Review: You’re Always With Me, Lost Theatre
On entering the Lost Theatre auditorium in Stockwell for the first time, I am struck by the unique space and its amplitude. To complement this, Paulina Rzeszows...
Carla Turner
Review: Flowers of the Field, White Bear Theatre
Joana Dias' set design captures the quaint and rustic Sussex countryside, instantly setting the scene for Flowers of the Field by Kevin Mandry. We are taken bac...
Review: Lear, Union Theatre
From the very beginning of Lear the audience is encouraged to 'get amongst it' and not 'cower in the corners' in order to get the most out of this Shakespeare a...
Review: Hamlet, Riverside Studios
Hiraeth Artistic Productions present their prison version of Hamlet at Riverside Studios directed by Zoé Ford.
Review: Choreographics, Barbican Centre
After a sell-out at The Place last year, Choreographics takes centre stage once more, only this time in one of London’s time-honoured dance ‘homes’ - the Barbic...
Review: Velocity, Finborough Theatre
As an avid fan of the Finborough Theatre, I was delighted to return and see it once again transformed. The black box has taken on a brand new form, this tim...
