Review: The Durham Review: Laugh Actually, Underbelly Cowgate
The Durham Revue’s show is called Laugh Actually. The university sketch comedy group are quick to tell us that their act has nothing to do with Love Actually. T...
Beatrix Swanson Scott
Review: Mae Martin: Dope, Laughing Horse at City Cafe
Mae Martin’s show is called Dope for, I think, two reasons. One, she talks a lot about drugs, and two, she sometimes likes to give a teenager-y, attention-seeki...
Review: Ed Night: Anthem for Doomed Youth, Pleasance Courtyard
Ed Night is something else. He’s not in his late twenties, he’s not from a cushy background and he doesn’t dress in button-up shirts (at least, not on the night...
Review: An Act of Kindness, C Cubed
An Act of Kindness by new London theatre company Rascal Theatre takes place at a London bus stop. This is where Leila and Martin meet. Leila, a waitress, takes ...
Review: Lists for the End of the World, Summerhall
Lists for the End of the World by fanSHEN theatre company sounds, on paper, deceptively simple. The production’s creators have compiled hundreds of crowdsourced...
Review: Séance, Summerhall
One thing most of the Fringe’s audience probably have in common is that they have never had a desire to spend 15 minutes in the pitch-black darkness inside a sh...
Beatrix Swanson Scott
Beatrix grew up in Germany with American parents and caught the theatre bug when she went to see Wicked at age 13. She now studies Liberal Arts at King's College London. Most of the time, she can be found rehearsing for the next musical, opera, play or choir concert or in meetings at the National Gallery, where she is a Young Producer. And of course, she spends every free evening at the theatre.