5.0
Review: Scary Bikers, Trafalgar Studios
Given that Brexit has bagged itself a spot in the UK headlines for the past three years, and the last couple of weeks have felt as though we are stuck in an en...
Alexandra Wilbraham
5.0
5.0
Review: My White Best Friend (And Other Letters Left Unsaid), Bunker Theatre
The act of letter writing is a powerful one. To put unspoken words into writing, words of love, words of encouragement, rejection and anger is a way of letting...
4.0
Review: I Run, VAULT Festival
A man is standing on a treadmill, hunched over, readying himself. He is brightly lit by fluorescent lamps and there is something broken in his demeanour as if ...
5.0
Review: A Hundred Words For Snow, Trafalgar Studios
If I were to ask you what the three hardest places to explore on earth are, one of your answers would probably be the North Pole. The geographic one to be prec...
5.0
Review: Ladykiller, VAULT Festival
Do you ever think about
how to kill someone and get away with it? Play the plan over and over in your
mind until you snap out of it and laugh off the idea? Yes...
4.0
Review: Work Bitch, VAULT Festival
From the start, Work Bitch portrays a sense of urgency. Waitress (Jessica Siân) strides onto the stage with the house lights on, background music playing and t...
Alexandra Wilbraham
Alexandra is originally from West Yorkshire but grew up in Germany. She returned to England to study Creative Writing at Bath Spa University. There she worked with the Bath Spa Theatre Society on running workshops and producing plays. After graduating Alexandra moved to London and is now a working as a freelance writer and is an ambassador for the Change100 programme. In her free time, she enjoys basketball and photography.