Edinburgh Review: Hiraeth, Underbelly Cowgate
Just as the three sisters long for Moscow, Welsh-girl Buddug James Jones pines for the big smoke. Having grown up on a farm in West Wales she’s desperate to lea...
Adam Foster
Edinburgh Review: Sex, With Benefits, Sweet Grassmarket
While the content of this two-hander by Daniel Huntley Solon might once have been progressive, its form is oddly outdated. That tension lies at the heart of...
Edinburgh Review: Eden Gate, C nova
How would you react in a crisis? That’s the question at the centre of Eden Gate, an immersive promenade performance by Produced Moon. It’s Edinburgh. 2017. T...
Edinburgh Review: The Jungle Referendum, C nova
Ah, the Scottish Referendum. With the vote on Scottish independence only weeks away, you’d think there’d be more shows at this year’s Fringe looking to unpack s...
Review: The Great War, Southbank Centre
What would it look like if you put a go-pro in the guts of the trenches? Probably something like this. In this ceaselessly inventive live animation performance,...
Review: Ted Bundy Project, Ovalhouse
We know Greg Wohead is not Ted Bundy. We know that he stumbled upon Ted Bundy’s confession tapes by accident on YouTube and couldn’t stop listening. We know tha...
Adam Foster
Adam graduated from the University of Exeter with a First Class degree in Drama. He is currently enrolled on Royal Holloway’s MA Playwriting course. As a playwright, Adam has had work performed at numerous venues including South Hill Park Arts Centre, New Wimbledon Studio, West Yorkshire Playhouse, Exeter Phoenix, the Northcott Theatre and at the Edinburgh Festival Fringe. His most recent play, Long Story Short, was recently produced at the Pleasance Islington. As a theatre critic Adam has written for various publications, winning the Theatre Record Award for theatre criticism at this year’s National Student Drama Festival.