Sponsored feature: RashDash – “certainly no one-trick pony”
After the “delightfully dishevelled” and “remarkably raw” The Ugly Sisters in January, RashDash Productions is returning to the Soho Theatre with Oh, I Can’t Be...
Laura Peatman
Review: Romeo and Juliet, Lauderdale House
It just wouldn’t be summer without an alfresco Shakespearean performance. Settling down for a picnic, a tipple and the words of the Bard has become a staple of ...
Review: Normal, Talawa Firsts
The first in Talawa Theatre Company’s annual season dedicated to new writers, actors and directors – Talawa Firsts – Normal packs a lot into its 90 minutes. Fro...
Review: Here Lies Henry, Camden People’s Theatre
Here Lies Henry boldly, and rather riskily, claims to: “challenge the conventional relationship between actor and audience and spins it completely on its head”....
Review: House of Bernarda Alba, Kings Head Theatre
Lorca’s final work is set against a Spanish heatwave, with Bernarda Alba’s domineering matriarchal regime and the pent-up sexual desire of her daughters reflect...
Review: Romeo and Juliet, Pleasance Theatre
There’s that familiar problem again: how to perform a play that is so well-known that the audience could probably be the prompt? How to “surprise, move and ...
Laura Peatman
Laura is an English graduate, tea drinker and theatre blogger. She currently works as the press officer for RADA, as well as reviewing and sub-editing for A Younger Theatre and running her own blog.