Edinburgh Fringe Review: Beasts
If a quasi-impressive amateur gymnastics display/mock physical theatre routine/confusing love triangle told through the medium of expressive dance (performed wi...
Devawn Wilkinson
Edinburgh Fringe Review: This Way Up
About five minutes into Antler’s This Way Up, as the rest of the audience convulsed with laughter around me, I suddenly found myself feeling agitated, inexplica...
Edinburgh Fringe Review: Camille Claudel
It doesn’t take long to fall in love with Camille Claudel, and watching Gael Le Cornec’s impassioned and fiercely intelligent portrayal of the oft-forgotten scu...
Edinburgh Fringe Review: Excess
Excess by name and excessive by nature, Freddy Sybourn's most recent offering to the Fringe throws itself at the audience with such overwhelming exuberance that...
Edinburgh Fringe Review: Legs 11
It is not merely a boast when Tom Marshman tells us he has the sixth best legs in the country. In fact, it’s pretty much a proven fact. Last year, Marshman put ...
Edinburgh Fringe Review: Tagged
High-speed, high-tech, high hopes: Tagged opens strongly with an enjoyably frantic onslaught of likes, pokes and pings – a quick-fire bombardment of disgusting ...
Devawn Wilkinson
Devawn is a London-based writer, performance poet and aspiring theatre-maker. As a reviewer, she has written for A Younger Theatre, Theatre Royal Stratford East and Exeunt Magazine.