Twelve years ago, when Shakespeare at the Tobacco Factory staged King Lear as its inaugural production, Andrew Hilton’s direction was much lauded for its unfl...
With the Fairy Godmother excised in favour of a plucky flock of birds, and the Christmas season’s standard influx of Slade and Crosby replaced by a bluesy folk ...
Some critics recently accused Sean Holmes’ Lyric Hammersmith production of Saved of being a touch reverential; of deferring to the text rather than interrogat...
After a triumphant Richard II, director Andrew Hilton has chosen one of Shakespeare's gentlest comedies for his next production: there is no touch of melanc...
I am continually awed by how fresh and vital a good director can make Shakespeare seem, and Andrew Hilton's Richard II was an excellent example. His cast clea...