Review: The Author
When does the spectator become the spectated?
Tim Crouch's new play at the Royal Court Theatre is possibly more about the spectator than that of the pl...
Theatre
Review: The Gospels of Childhood
The Barbican Centre is an odd place, I have come to realise. It is somewhat of a community built within itself and it's concrete walls. There is a housing estat...
The Live Spectacle
If there is one thing that I have learnt in the past few weeks is just how live theatre actually is. We often forget that the very nature of theatre is the live...
Review: Alan Cumming, I Brought a Blue Car Today
I don't see there being much point in writing a long and detailed review of Alan Cumming's one man show, I Brought a Blue Car Today it is one of those events th...
Opportunities For Young People In Theatre
This week see's the National Theatre in connection with Spine Breakers launching 'The Big Break', a young scriptwriter competition. Aimed at 13 to 18 year ol...
Three More Sleepless Nights – Review
Theatre is an adventure, where we have to some times take risks and dive in the deep end. I had some spare time, chose the National Theatre and got the cheape...