Review: Emilia Galotti, The Space
Lessing’s Emilia Galotti is a prime example of 'bürgerliches trauerspiel' apparently, an eighteenth century dramatic movement that was popular in England – wher...
The Space
Review: The Boy Who Lost Christmas, The Space
A two-hander show is hard to pull off, so I had my reservations about The Boy Who Lost Christmas. The mime artist who handed me my programme as I walked in didn...
Review: Salomé, The Space
Salomé is the femme fatale extraordinaire, as uncompromising as she is cruel – a spoiled princess who knows what she wants and won’t settle for less, equal part...
Review: Anonymous Anonymous, The Space
It is rather apt that a show set in a church hall should be played out in The Space – a converted church on the Isle of Dogs. The ability to perform Anonymous A...
Guest Blog: Chloe Mashiter – “Staging a relaxed performance costs nothing”
When I was younger, the term ‘accessible theatre’ meant something far different to me than it does now. Being told that a show was ‘accessible’ conjured up imag...
Review: By Virtue Fall, The Space
After winning the LOST Theatre’s One Act Festival in 2014, an expanded version of By Virtue Fall appears at The Space for an extremely limited run this week. Wh...